Do It, Akirapella: Hashikko Ensemble, Chapter 21

The delinquent fans of Mimi-sensei are here to show their singing chops, and they have some unexpected help. Is it a defection or something else in Chapter 21 of Hashikko Ensemble.

Summary

In a shocking turn, Akira has seemingly joined the enemy as he provides the bass line for Tsuyama and friends’ a capella rendition of Spitz song “Cherry.” A flashback shows the amount of work that went into this, including a couple of the guys learning to sing falsetto and the fruits of Ouga’s practice with Jin and Akira. Takano-sensei is the one responsible for introducing the idea to sing a capella, but it needs at least five people—hence Akira’s actions.

Unsurprisingly, Jin is completely okay with this development, but now Orihara is unusually raring to go. The other group’s performance impresses Mimi-sensei (the judge for this competition), but the Chorus Appreciation Society has come prepared with their own Spitz number.

Takano-sensei’s Lessons

Takano-sensei apparently taught a lot in very little time. This includes the history of “a capella” and its shift from religious use to just “voice-only performance.” She also gives a few tips on how to sing falsetto: try to imitate Michael Jackson’s “Hooo”s and “Heehee”s, and also practice speaking in falsetto. She’s not nearly as technical as Jin in her explanations, but that’s probably a good thing. It speaks to her character and her role as a music teacher.

It’s still not clear why Takano-sensei is helping out, but based on her personality, I don’t suspect anything remotely malicious. Perhaps she wants to teach the students a lesson on life. Perhaps she wants to just shake things up a bit. Perhaps she’s just indirectly teasing Mimi-sensei. I know I want to see more of her, though.

Akira’s Doo-Wops in Art

It’s hard to convey differences in music through art alone, especially if there is little visual iconography to latch onto. The help of the text element in comics and manga makes it a little easier, however, and I love the way that a capella is portrayed in this chapter. Not only are there notes with accompanying percussive “lyrics” to show the a capella, but Akira’s portrayal in particular is great. I can practically sense the deep, deep bass in the image above. It also shows Akira with a sense of purpose rarely if ever seen from him.

Songs

“Viderunt Omnes” was going to be the Chorus Appreciation Society’s song of choice for this competition. Instead, both sides are using Spitz songs to try and win Mimi-sensei’s favor. As mentioned in the last chapter, it’s like her favorite band.

“Cherry” by Spitz

“Sora o Toberu hazu” (“You’ve Gotta Be Able to Fly”) by Spitz

Final Thoughts

I really liked that this chapter was dedicated to one performance (with some backstory accompaniment). It’s not often that Kio does such a straightforward chapter, and I think that gives it more impact.