A Summer Check-in for the Scandinavian Weavers
Our group doesn’t normally meet during the summer months, but because we neglected to take it off the online Weavers Guild of Minnesota calendar, and several members were around, we decided to meet. We had the best turnout of the year so far!
Melba Granlund and Stephanie Dickson showed the samples they completed during a recent week-long Swedish Art Weaves class at the Swedish Handicrafts Center for Skåne (Hemslöjd) in Landskrona, Sweden. They used trensaflossa, a short pile technique woven primarily in one area of Skåne. The class was taught by Gunvor Johansson. A Minnesota group took a similar Swedish art weave class two years ago, described in articles in the Norwegian Textile Letter.
Weaving the Art Weaves of Skåne.
A Wonderful Scanian Art Weaves Adventure
Fika and the Joy of Lingonberry Cake
Gunvor Johansson’s Exhibit at Bosjökloster
Melba sent me this photo of the other samples woven by students at the Hemslojd class. Melba’s piece is in the center.
Lisa Bauch has been suffering from a bit of tennis elbow from slamming the beater on her loom, so she’s devoted some off-loom time to making small birchbark baskets from the bark of a dead birch tree they needed to take down in her yard.
Someone asked how she cut her strips and Lisa told of a novel method. A pasta machine–you know, the kind with a crank that unfurls lengths of pasta–works great. And the fettuccini setting? Perfect for the small-scale baskets.
During this meeting, several people shared by showing photos on their phones. Five or six times, phones were passed around the large table. I think this “show and tell” technology will be used more and more, with no more excuses like, “I tried to get it off the loom before the meeting.” Linda Sorranno’s technology for this purpose was best; she had an iPad, so we could admire her piece on the loom in larger scale. She is weaving a boundweave rug in neutral tones.
We admonished Mary Skoy for not bringing in the rug she recently finished, which is now in its intended spot in their house. She told the story of seeing a similar rug at the American Swedish Institute (ASI) and thinking, “I need that rug.” Here’s the ASI rug.
Mary liked the slarvtjäll technique, with short inlay tufts. She haunted thrift stores, picking up woolen tweed jackets to cut up for the weft strips. It turned out great, but she seemed sheepish when her rug looked like an exact replica of the original, not what she really intended to do.
Judy Larsen has been making runners with a pattern from a recent Handwoven magazine, “Distorted -Weft Rep Runner & Trio of Pillows.” (Her sisters have already announced how long Judy should make their runners.)
Jan Josefek has been busy weaving. She showed a small piece inspired by the patterns of Latvian bands. Jan wove a piece on her tapestry loom, pick-up on a plain weave. Bands are woven lengthwise, but this stack of three patterns was woven horizontally. People were in awe.
Jan also made a sample rug using rosepath stripes, in anticipation of making the “real” one with handspun yarn. She used a draft from a notebook from our Scandinavian Weavers group, making it extra appropriate to share with the group.
Ever Woodward came to her first Scandinavian Weavers meeting, and shared towels she just took off the loom. She claimed that she is most drawn to neutral colors in her life, but who can resist pink yarn?
My report was an iPhone one, too–a photo of a piece in Frida Hansen’s open warp transparency technique. The underground portion of the potato plant is complete.