“JAZZ CAN BE HOT OR LANGUID”: BILLIE HOLIDAY, ROY ELDRIDGE, CHARLIE SHAVERS, ED HALL, BEN WEBSTER, VIC DICKENSON, BENNIE MORTON, ART TATUM, AL CASEY, SLAM STEWART, ARTHUR TRAPPIER, JOSH WHITE (“New World A-Coming,” WNYC, June 25, 1944)
Here’s an extraordinarily fulfilling eighteen minutes, as if — in the name of humanity and enlightenment — a New York radio station was able to gather everyone of note into its studios to uplift listeners: Billie Holiday, vocal; Roy Eldridge, Charlie Shavers; trumpet; Vic Dickenson, Bennie Morton, trombone; Ed Hall, clarinet; Ben Webster, tenor saxophone; Art Tatum, piano; Al Casey, guitar; Slam Stewart, string bass; Arthur Trappier, drums; Josh White, vocal and guitar.
“NEW WORLD A-COMING: THE STORY OF NEGRO MUSIC,” Broadcast on WMCA, June 25, 1944, based on the book by Roi Ottlei, narrated by Canada Lee. Theme by Duke Ellington. Introduction / I GOT A HEAD LIKE A ROCK Josh White / FINE AND MELLOW Billie / ROYAL GARDEN BLUES / ALL OF ME Billie / I GOT RHYTHM // Hall Johnson Choir announced but edited out of this recording.
The music is timeless; the commentary may seem less so: I was struck by “from cabin to cabaret,” and sensitized listeners might find other archaisms. But the music!
P.S. “Jazz can be hot or languid.” You knew that, of course.
P.P.S., based on fifteen minutes of online curiosity: WMCA was a rock-and-pop AM station in the Sixties, home of the “Good Guys.” Started in 1925, it had a wide range of popular music programming, with programs aimed at an African-American audience. In 1989, it became a Christian radio station and continues today.
May your happiness increase!