Sakugabooru Animation Awards 2021
Our yearly animation awards have once again gathered animators, directors, producers, writers, translators, fans, and everything in between to pick
Our yearly animation awards have once again gathered animators, directors, producers, writers, translators, fans, and everything in between to pick
Our yearly animation awards have once again gathered animators, directors, producers, writers, translators, fans, and everything in between to pick
Makoto Shinkai’s modern work is defined by its immediate circumstances to a larger degree than most people realize, be it the themes he decides to
Anime’s production schedules, the wellbeing of its creators, and the quality of their work are deeply interconnected. It’s a complex balance
The Fall 2021 anime season is frontloaded with a few truly exceptional creative efforts, then chockful of titles with interesting teams having to
Let’s dedicate a final look at Maidragon‘s second season and its role in KyoAni’s gradual rebuild—the why and how they made a beautiful show
KyoAni’s most renowned director Naoko Yamada left the studio she had dedicated her entire career to and is now directing Heike Monogatari at
The upcoming Stone Ocean adaptation marks the return of one of the most brilliant Jojo directors, so there has been no better time for a long
The second episode of Miss Kobayashi’s Dragon Maid S happens to embody some ongoing changes to Kyoto Animation’s inner workings: forced to adapt
Mobile Suit Gundam Hathaway is shaping up to be an excellent film trilogy, a collective effort by creators who approach realism from their own angle
Maidragon is back. KyoAni is back—in more ways than one, having given free rein to the next generations of creators trained under the studio’s
Everyone knows what outsourcing means on a basic level, but at the same time, few get how it works in anime—so here’s a summary of this
Today we bring you this translated interview with SSSS.Gridman and SSSS.Dynazenon‘s director Akira Amemiya, talking about how each series came to
Studio Tonton’s excellent Naruto homage stands toe to toe with professional work, but don’t let its quality fool you: it was actually made by a
SSSS.Dynazenon is an already fascinating follow-up to 2018’s Gridman, an equally evocative love letter to tokusatsu and mecha titles that wears its