Looking Back at 2021 with CAAM
As this year draws to a close, we at CAAM are reflecting on our work in 2021 and some of the groundbreaking milestones achieved in Asian American
As this year draws to a close, we at CAAM are reflecting on our work in 2021 and some of the groundbreaking milestones achieved in Asian American
Thanks to the invaluable guidance and funding we received through Hindsight, my colleagues and I made films that present a more nuanced understanding
Every year, as a part of the CAAM Fellowship, Asian American documentary filmmakers develop their projects under the guidance of their mentors, and
In the aftermath of the March 2021 spa shootings in Atlanta, in which six of the eight victims were Asian women, CAAM and PBS Digital Studios sought
The Center for Asian American Media (CAAM) was founded by a group of filmmakers, community leaders, and activists who recognized that in order to
Elizabeth Ai has the kind of disarming ebullience that makes people feel at ease. She opened our interview at a boba shop in East LA by paying for
As part of CAAM’s continuing mission to uplift Asian American stories that showcase the breadth and diversity of experiences in our community, we
Thank you to our wonderful community that has supported CAAM’s 41-year legacy of nurturing and elevating AAPI storytellers. Through our Fellowship
When PBS correspondent and substitute anchor Amna Nawaz found out she would be one of the moderators of a nationally televised presidential debate,
CAAM hosted a gathering in 2018 where NOVAC’s Darcy McKinnon was joined by Clint Bowie from the New Orleans Film Society Firelight Media’s Chloe
Documentary filmmaker Grace Lee has launched a new podcast called Viewers Like Us. A riff on the familiar PBS slogan “This program was made
Larry Itliong was a Filipino American labor organizer who rose to prominence in 1965, when he led the Delano Grape Strike; where he among other farm
About 20 years ago, I was an aspiring student studying cinema at San Francisco State University. I didn’t really know what kinds of films I wanted
Asian American representation, yellow face, and homophobia may feel like the topics of the day, but filmmaker Arthur Dong has been addressing these
Five years since embarking on their documentary-in-progress, Unseen, Set Hernandez Rongkilyo is finally starting to feel seen as a filmmaker, and as