Ambitious Parsifal
Wagner’s Parsifal both attracts and repels. It has gorgeous music but a problematic plot that, on the surface, is a weird mash up of Christian
Wagner’s Parsifal both attracts and repels. It has gorgeous music but a problematic plot that, on the surface, is a weird mash up of Christian
The basic premise of Kasper Holten’s production of Mozart’s Idomeneo, recorded at the Vienna State Opera in 2019, seems to be that Idomeneo and
Janáček’s Jenůfa was staged and recorded at the Staatsoper unter den Linden in 2021 under COVID conditions. There’s no audience and the
Not so long ago I reviewed a production of Prokofiev’s The Fiery Angel and described it as “so bonkers that I hardly know how to describe
Stanisław Moniuszko’s Halka is sometimes regarded as Poland’s national opera. It’s one of those mid 19th century works that tries to create
I’m really not sure what to make of the recent recording of Giodarno’s Siberia made at the Maggi Musicale Fiorentino in 2021. It’s certainly
Handel’s Saul gets another “fully staged” treatment in this recording of a Claus Guth production at the Theater an der Wien in 2021.
The 2021 recording of Offenbach’s Les contes d’Hoffmann from the Staatsoper Hamburg is fairly straightforward but it’s visually interesting and
The more I see of Tobias Kratzer’s work the more impressed I get. Here we look at his 2019 production of Wagner’s Tannhäuser at Bayreuth.
Well it took me a while to get hold of a copy of the third of the Harnoncourt Mozart/da Ponte operas. It is, of course, Così fan tutte and like
It’s becoming a bit of a habit. The Royal Opera has released a video recording of the 2019 revival of Kaspar Holten’s 2014 production of Don
There’s been a lot of talk recently about whether or not it’s legit to change text, music or dramaturgy for problem operas like Madama
There’s a certain logic in Christof Loy following up his 2019 production of Korngold’s Das Wunder der Heliane at the Deutsche Oper Berlin with
Discovering a new opera that’s really good is one of life’s small pleasures and my latest is Benet Casablanca’s L’enigma di Lea. It’s a
Jean-Joseph Cassanéa de Mondonville’s Titon et l’Aurore is another member of that rather long list of operas that were well received in their