Write FAST & Furious! Outrunning “Spock Brain”
Original Image courtesy of David HT Flikr Creative Commons… Fast drafting is a technique that I have used successfully on quite a few books. What
Original Image courtesy of David HT Flikr Creative Commons… Fast drafting is a technique that I have used successfully on quite a few books. What
In A Moveable Feast, Ernest Hemingway told us that, “The only kind of writing is rewriting.” And from there, at least, came generations of
This week, I’d like to mine some material from my now defunct online Worldbuilding course. This, on the subject of magic in fantasy, and to some
It would not be entirely correct to say that, for some decades now, my “day job” has been as an editor. To say “day job” means that it’s
When I first started writing—seriously writing—and started getting published, the internet was still a mostly hidden thing used by scientists and
Imagine my surprise when I read “Beyond the Plot: Craft Tricks of Great Commercial Thrillers” by Cassidy Lucas at, of all places, Crime Reads.
I bet you’ve seen these before—at least a few of them quoted here over the years. The list is all over the internet. I found it at iO9. But this
These three words sometimes kinda mean the same things, and sometimes kinda mean different things, but as an editor, I see them used more or less
Fiction filler is like fillers in food. It makes a little bit of good stuff go a lot farther, but at what cost? How much of this pink slime prose
We talk a lot, us writers, about productivity—how much writing we got done, how much writing we meant to get done, how much writing we should have
I’ve written before on the subject of a story’s first line, or a novel’s first paragraph, and starting a story—pulp fiction style—with a
I used to teach in-person then online courses, and one of the most popular was my worldbuilding course. Though it’s been a while since I’ve
A few weeks ago I talked about how, once your novel is published, it “belongs to the ages,” and I’ve written before about my ambivalence
I’ve written here before that we should remind ourselves that writing fiction—especially genre fiction—should be fun, that we should get in
Arc is critical in stories. How do the characters change? Who changes and how? What is an arc and do we need a protractor? In my last post,