editor Chris Quinn melts down in “delirious” defense of Cleveland’s “thriving” journalism industry

It makes sense that it was a legendary muckraking journalist, Upton Sinclair, who coined the truism about how hard it is “to get a man to understand something when his salary depends on his not understanding it.” And it’s not so surprising after Advance Media’s brutal round of union-busting layoffs at the Plain Dealer last week that the company’s top editor in Cleveland, Chris Quinn, is having a tough time understanding, or pretending not to understand, why everyone is so upset.

Chris Quinn and Frank Jackson

With last week’s layoffs having completed a process by which a Plain Dealer newsroom of 350 union-backed journalists has been reduced, over a decade, to 63 non-union reporters under the banner of, there has naturally been an outcry over the death of journalism in Cleveland. As Sam Allard observed last week in a scathing assessment of these developments at Cleveland Scene, an already overburdened newsroom is now much more so, with legitimate journalism sure to be increasingly “drowned out by torrents of brain-numbing clickbait and sponsored content, and further cheapened by a truly abominable social media presence.” And with newsrooms nationwide having been subject to similar cuts, it’s been widely observed that “our political campaigns are [increasingly] guided by out-of-state donors and consultants, not candidates and voters, our legislative chambers are gerrymandered, [and] our court races are politicized in ways that are dramatically at odds with how they were designed to be run.”

In other words, with 80% fewer journalists in Cleveland to fulfill the essential function of uncovering stories to inform the public, it stands to basic reason that the public will be 80% less informed.

The problem here is obvious and critical. To everyone but Quinn, anyway, who took to the pages of yesterday to pen a wildly defensive and Orwellian column claiming not only that journalism isn’t “dying in Cleveland” but that in fact it “thrives,” and anyone suggesting otherwise has “dubious motives,” and “appear[s] to be unafflicted by truth.” The relevant paragraphs, where Quinn also lashed out at critics, former colleagues, and the very notion of adversarial journalism, are as follows:

You couldn’t be blamed for not knowing the reporters and editors at They don’t build cult followings on social media with nonstop messages about their crusading roles. They believe that journalism is about what others do and don’t use social media to call attention to themselves.

The people I work with just keep their heads down and produce the stories, photos, audio and video that you so clearly value — you engage with it in huge numbers.

I find so much dignity in my colleagues. They do the work. Diligently. Accurately. With quiet determination. Without bias.

There’s a danger in your not getting to know them, though. Some people with dubious motives – people who appear to be unafflicted by truth — would have you believe that journalism is dying in Cleveland. That’s false, of course, as any objective review of’s coronavirus coverage would prove. Journalism thrives in Cleveland in the form of our 60-plus reporters and editors.

Quinn’s column was met with immediate derision, with accomplished veteran journalists like L.A. Times City Editor Hector Berrerra calling it a “dumpster fire,” and Tampa Bay Times reporter Mark Puente citing the piece as an example of “delirious newsroom leader[ship],” while pointing out that Quinn was once a “hard-nosed reporter and editor,” and asking, “what happened?”

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Others were less polite, like concerned citizen James Taylor, whose admittedly rude email prompted Quinn to take a break from “picking away at his guitar” to type a few paragraphs summarily maintaining his denialism while also bashing the City’s only other newspaper, Scene, as being “of the lowest quality,” adhering to no journalistic standards, and consisting of “misinformed ranting based on almost no reporting and outrageously flawed conclusions.”

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Of course, it’s all too easy for Quinn to punch down in this way at the local alt-weekly, which even in the best of times operates with a fraction of the resources that has at its disposal in the worst. But it’s worth considering what it means that Quinn would so blithely question the “dubious motives” of anyone suggesting that it’s better for a City to have 350 reporters working for its news outlets than only 63 of them.

Chris Quinn on Cleveland Scene

In so casually dismissing the notion that a City with 80% fewer journalists is going to be 80% less informed, Quinn essentially admits to a view that there’s only so much the public needs to know. This is entirely consistent with a phenomenon long observed by America’s most incisive media critics, by which corporate media “artificially narrows the range of argument” on issues of public concern “long before you get to hear it.” As the basic thesis advanced by Noam Chomsky and Edward Herman in their seminal 1988 work, Manufacturing Consent, holds, “management of public opinion in capitalist democracies rarely takes the form of overt propaganda or censorship, but is instead achieved through vigorous policing of what constitutes acceptable opinion.”

Screen Shot 2020-04-12 at 12.31.11 PMIt’s also telling that Quinn broadly gestures at’s prolific coronavirus coverage as his primary proof that journalism in Cleveland is in fact thriving. Of course, if it bleeds it leads, and nothing drives pageviews like anxiety over a deadly viral pandemic. Nevermind the difference between quantity and quality, and that’s pages are largely silent as to the structural inequities that are causing socioeconomically disadvantaged populations to be disproportionately impacted by COVID-19.

Not to be too hard on Mr. Quinn, as he is only just one person who could only do so much under these circumstances even with the best of intentions. But the very least he can do is acknowledge that even if he somehow doesn’t believe in the necessity of adversarial journalism, many of his colleagues and fellow citizens still do; the recent developments at the PD serve to substantially amplify these concerns; and lashing out with insults in response to these concerns being raised is simply unacceptable from someone in his position. If journalism really isn’t going to be dead in Cleveland, it will need leaders who can manage at least this much.

I’ve reached out to Quinn for comment and will update this post re: his response. In the meantime, here are a couple of related pieces from Cleveland’s other paper:

Does Editor Chris Quinn Hate Journalists as Much as it Sounds Like He Does?

The Cozy Relationship Between Editor Chris Quinn and Mayor Frank Jackson, And What It Means For Coverage of City Hall

Hope everyone’s week gets off to a good start and that Mr. Quinn, especially, has himself a better one. editor Chris Quinn melts down in “delirious” defense of Cleveland’s “thriving” journalism industry